A new version of Megalith I, the first of a series of drypoint etchings exploring Neolithic standing stones and their function, this time including new etched and blind embossed elements
A new version of Megalith I, the first of a series of drypoint etchings exploring Neolithic standing stones and their function, this time including new etched and blind embossed elements
A new drypoint etching from a series celebrating the wild swimming places of the north. Black Moss Pot is in Langstrath, in the north of the Lake District.
Introducing the second print exploring the holmes or islands of Lakeland.
Plans for new prints inspired by Neolithic monuments and created using drypoint and blind embossing.
Description of how white paper plays a central role in Richard Foster’s printmaking
Exhibiting at Borders Art Fair
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